Numerous examples ended up in the Imperial collection of the Qianlong emperor, including one entitled ‘Everlasting Spring in the Fairyland,’ published in Zhongguo meishu quanji, vol. 10, Pl. 111. There is also a series of woodblock prints of his paintings and calligraphy in the Fung Ping Shan Library at the University of Hong Kong that are not dated but are also orthodox in style.